Director: Luchino Visconti
Stars: Burt Lancaster, Alain Delon, Claudia Cardinale
Arguably Luchino Visconti's best film and certainly the most personal of
his historical epics, The Leopard chronicles the fortunes of Prince
Fabrizio Salina and his family during the unification of Italy in the
1860s.
Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa,
published posthumously in 1958 and subsequently translated into all
European languages, the picture opens as Salina (Burt Lancaster) learns
that Garibaldi's troops have embarked in Sicily. While the Prince sees
the event
as an obvious threat to
his current social status, his opportunistic nephew Tancredi (Alain
Delon) becomes an officer in Garibaldi's army and returns home a war
hero. Tancredi starts courting the beautiful Angelica (Claudia
Cardinale), a daughter of the town's newly appointed Mayor, Don Calogero
Sedara (Paolo Stoppa). Though the Prince despises Don Calogero as an
upstart who made a fortune on land speculation during the recent social
upheaval, he reluctantly agrees to his nephew's marriage, understanding
how much this alliance would mean for the impecunious Tancredi.
Painfully realizing the aristocracy's obsolescence in the wake of the
new class of bourgeoisie, the Prince later declines an offer from a
governmental emissary to become a senator in the new Parliament in
Turin. The closing section, an almost hour-long ball, is often cited as
one of the most spectacular sequences in film history. Burt Lancaster is
magnificent in the first of his patriarchal roles, and the rest of the
cast, especially Delon and Cardinale, become almost perfect incarnations
of the novel's characters. Filmed in glorious Techniscope and rich in
period detail, the film is a remarkable cinematic achievement in all
departments. The version that won the Palme d'Or at the Cannes Film
Festival ran 205 minutes. Inexplicably, the picture was subsequently
distributed by 20th Century Fox in a poorly dubbed, 165-min.
English-language version, using inferior color process. The restored
Italian-language version, supervised by cinematographer Giuseppe
Rotunno, appeared in 1990, though the longest print still ran only 187
minutes. ~ Yuri German, Rovi
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